The Louis Vuitton White Multicolor Diana bag has become extremely popular — small, chic, and irresistibly cute. Because of this strong demand, the Shebag factory has also begun large-scale production. Today, we’re showcasing the latest batch of our White Multicolor Diana bags, freshly completed from Shebag’s main production line.

Recreating the Louis Vuitton Monogram Multicolore Blanc is one of the most technically demanding tasks across the entire Monogram family, with the lowest tolerance for imperfections. Shebag has already achieved a result comparable to the original LV craftsmanship, rebuilding the process from the ground up — from materials, printing, hardware, electroplating, leather oxidation behavior, stitching precision, to pattern alignment. Below are the Shebag-grade replication standards and methods in detail.

1. Canvas base and coating thickness control
The base color isn’t pure white — it’s a slightly warm ivory tone (around Pantone Warm White 1C) with a soft sheen. The original used coated PVC canvas formulated at LV’s Asnières workshop, with a surface coating of about 0.28–0.32 mm, featuring ultra-fine, shallow embossing. Shebag sources high-density canvas (65/35 nylon-cotton blend) from Italy or Korea and applies multi-layer low-temperature spraying to rebuild the coating, controlling gloss around 25 GU for the same soft matte effect while retaining stain resistance. Typical lower-tier replicas often appear too cold, too bright, or have over-thick coatings that crease unnaturally.

2. Multicolor Monogram palette and alignment
The original LV White Multicolor was color-designed by Takashi Murakami, using 33 distinct shades arranged in a visually balanced but seemingly random pattern. Shebag reconstructs the color spectrum from high-resolution scans of authentic pieces, performs Pantone color calibration, and prints each color layer separately using Japanese precision silk screens (one per color) with ink layers 6–8 µm thick to prevent bleeding. Printing proceeds from dark to light, then sealed with a transparent baked coating. Shebag pays special attention to the four anchor tones—blue, pink, green, and orange—to avoid fluorescent or dull deviation. Each bag type (Speedy, Alma, Noé, etc.) receives its own layout recalculation to ensure perfect Monogram alignment at the seams, with no “broken-flower” misplacement.

3. Vachetta leather selection and oxidation logic
Original White Multicolor trims use untreated natural cowhide (Vachetta) that starts pale beige and slowly turns honey-gold with exposure. Shebag uses Italian vegetable-tanned hides from Conceria Walpier or Tempesti (2.0 ± 0.1 mm thick), treated with a semi-open wax finish to keep visible pores. To simulate the “new bag” look, a light pre-oxidation step warms the tone slightly. For clients requesting a “vintage patina”, Shebag applies a 48-hour natural sun aging followed by beeswax buffing to create soft edge contrast and remarkable realism.

4. Hardware plating and rivet structure
The series used high-gloss golden brass hardware (real gold electroplating) with plating thickness around 0.25 µm. Shebag avoids low-grade alloy plating; instead, it uses copper blanks that are mirror-polished, then triple-plated (nickel → copper → gold) with a transparent anti-oxidation topcoat. Screw heads, locks, and rivets are CAD-modeled for identical font, spacing, and angle as LV originals. Notably, LV’s gold tone is slightly “warm”; Shebag adjusts by adding trace red copper to the bath, achieving the same 18K-like hue. On pieces like the Alma Multicolore feet or the Speedy lock, replication accuracy reaches about 99 %.

5. Stitching, shape, and seam reconstruction
Original White Multicolor bags have 5 stitches per cm, evenly spaced with subtly raised holes. Shebag uses Coats Barbour waxed thread from France (color close to #184), paired with Japanese Juki machines calibrated for lower presser-foot pressure to maintain straight, crisp lines. Pattern seams are precisely matched within ±0.5 mm, following LV’s original molds. For example, the Speedy 30 arc curvature is kept at 48° ± 0.5°, preserving firmness without stiffness.

6. Markings and interior finishing
Most originals used light pink or beige fine-weave lining (some limited editions used Alcantara). Shebag customizes lining tones by year and model; the “LOUIS VUITTON PARIS made in France” heat-stamp is applied with a copper die, matching the original letter spacing. Zippers are RiRi or YKK EXCELLA custom-grade, with engraving depth around 0.15 mm, identical to authentic pieces.